waiting summer

paper arc of safety
the beautiful north country wasn't really waiting for me,
though it seemed like it was.
instead, it was just doing what it does so well,
being beautiful.
being, now, summer.
deep in july and hot and dry and growing.
i went for a visit to toronto last week.
to see, amongst other things,
the magic feather cloth
friends wendy, hiroko, and dorothy;
 gifts were exchanged,
gratitude.
even joy, perhaps?
 these amazing women came 
to have a most entertaining lunch at the gardiner museum
and rich conversation after.
to be IN the city
and IN refuge IN the city.
my shifu thinking met up with wood worked beautifully
(below in some iphone play)
 there was also a treat for me
the magic feather cloth
briefly installed
by val, 
who left me instructions:
 i didn't mess with the cave,
only 
touched the cloth.
 followed a featherstone path
 to find the grief book 
(velma's book of grief
my shifu and handmade paper book).
doing its job.
 there were many instructions to attend to
and i have a new last name.
and i am waiting
for 
poem.
(val loves india, too!)
sometimes wendy's kids write poems,
(my grampians texture students remember me reading one to them)
val wrote,
thank you val, 
i love reading your words!
these words
 carried me to the textile museum
to see the works of hands
and i had to sit at this old leclerc
and would have wound it forward, gone to work weaving,
but the yarn was tight 
woven right up to the beater
kids delighted, but instead i talked about how this one was prepared
for patterning.
my feet played treadle dancing and my hands
wanted to wind warp formard.
these mirror pieces came home with me.
from sartaj's shop kinna sohna
and this scarf
of a million running stitches.

and now, back home.
all is well.
the soil is pretty dry, the birds still singing most babies fledged.
there was a medium sized four-legged
out last night at the new place.
bobcat? coyote? fox?
i was above, moonlit, a brief movement through the light
the one approached the porch,
a roof and many feet in the way.
i think a bobcat, but this morning, nothing to give that one away,
not even a scent for my uneducated nose.




my city time 
above
my country time
below


the gift of "black caps" 
these black raspberries had gone a little too far
in the fridge
while i was in toronto.
so i made a rich rich ink
thinking of my son ian and his friend nate
who made some once and left it
in the fridge for years.
 and ants got in 
and into the raisins
the honey
the sugar
and cornstarch.
but mostly the honeycombs.
 a huge cleaning ensued
including heat and beeswax and cloth and honey and dead ants.
even a dead honeybee.
 (ant trap added for a brief time)
because i lost quite a bit.
up front and center:
soma chocolate from toronto
wattle seed from australia.
delicious!
and quite a bit of gelatin
for sizing paper.
ian and hannnah will see this cupboard
and be shocked by the tidiness!

learning with tim ely

in toronto
as in any city
weird things can stop you up short
 so on saturday morning i saw this
this was quite a surprise
 why would anyone take off these "shoes"?
leave them on the edge
of walk and ride?
nearby
a black squirrel was 
having a ridiculously delightful time
doing flips
  questioning MY motives
and then:
there's the japanese paper place.
sigh!
77 brock
were the workshop was held.
(tim's exemplar)
 working with master alchemist,
binder,
wonderer,
maker,
timothy ely.
 i love these marks,
 loved how he taught,
his use of language and respect for story,
felt challenged and heard.
the class was filled with very
very talented artists…
 i learned more about a passel of concepts
which seem to be 
knocking at my brain: 
"pay attention, knock knock"!
so then the ride home was
 an adventure
i just love union station
 as messed up as it is
(just try to find your way
after a blue jay's game and a 
city wide parade)
 home, in my kitchen i found this
 rock books
a drain strainer
empty jars
ink
so my sketchbook 
 taken out and examined
a few days later
after i'd gotten over the mistakes,
i had to forgive myself for those,
there are many.
but this little inlay is
a bit of paper decorated by tim
(it has sparkles in it) 
and i played with paste and color 
still unfinished, but i will slice the last
of the pages apart, paste up the corners,
endsheets,
and start using this thing.
the book WORKS so well,
it's a mechanical device for memory.
it opens flat and deliciously.
there are spare 
marks and bits for me to 
connect the day's notes drawings ideas paste-ins.
thank you tim.
amazing diving board for me.
and i like to swim.